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Play/Things: Toys and the Invention of Modern Childhood
March 27 – September 12, 2010
Play/Things: Toys and the Invention of Modern Childhood will highlight toys, dolls and dollhouses from the museum’s permanent collection as well as important objects on loan from collectors. While the objects themselves will appeal to visitors of all ages, the interpretation will encourage adult viewers to reflect on the larger cultural role toys have played in perpetuating modern notions of a good and happy childhood that emerged in the late 19th century.
By pairing toys with book illustrations, advertisements, period photographs and other images of children at play, the exhibition will present toys as the props used by youngsters in performances of childhood as stage-managed by adults. It is the adults, however, whose concerns ultimately informed the design, manufacture, marketing, distribution and purchase of toys.
Play/Things: Toys and the Invention of Modern Childhood will present toys, dolls and other objects which are rarely seen. One exceptional work that will be on view is a dollhouse built in 1916 for Neva Palmer, the daughter of New London textile manufacturer George S. Palmer. The dollhouse was modeled on Palmer’s Georgian Revival house, designed by Charles Platt, architect of the Lyman Allyn Art Museum. One gallery will feature a remarkable range of 20th century wind-up toys—everything from a Ferris wheel to a motorcycle, from Roy Rogers riding Trigger to a clown walking on his hands. Adults interested in political history will be amused by the Tammany Bank. Patented in 1873, it features a seated figure—most likely Boss Tweed—who deposits each coin in his jacket pocket.
The exhibition is co-curated by Abigail A. Van Slyck and Robert Skingle. Van Slyck is the Dayton Professor of Art History and Director of the Architectural Studies Program and Chair of the Art History Department at Connecticut College. Antique toy expert Robert Skingle graduated from Goldsmiths College at the University of London. He turned a hobby of collecting lead military figures into a career and became an antique toy dealer, specializing in toys from the turn of the century.
Play/Things: Toys and the Invention of Modern Childhood will include a full schedule of coordinating programs including a gallery talk by the curator; children’s workshops on topics such as doll-making, kite-making and flying; a special “Meet the Astronaut” Day; a children’s 19th c. style tea party; a Saturday Afternoon Film program geared to children and a gallery tour with an antique collector and dealer.
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Westomere Doll House
1916
Craftsman unknown
American |
Dog on Wheels
Plush toy and metal wheel framework
c. 20th century
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Jenny Lind doll
c. 1850
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Table Croquet set
c. 19th century
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Trade Cards
c. 19th century
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The Hand of the Artist: Selected European Drawings from the 16th through the 18th Centuries
January 30 through August 22, 2010

Artist unknown
Head and Torso of a Chevalier
Pen and ink on paper
n.d.
12 x 15 cm
Circle of Francois-Andre Vincent
Young Man Singing
Red chalk and black lead on paper
10 ½” x 7 7/8”
The Hand of the Artist: Selected European Drawings from the 16th through the 18th Centuries presents drawings amassed by a local collector who has made a promised gift of the collection. These works represent examples from Italy, France and Northern Europe by artists such as Annibale Carracci, Bibiena, Lebrun, Greuze, and Moses Ter Borch. Drawings have long fascinated scholars and collectors because the interplay of lines and colors allow the viewer to contemplate the artist’s intention. Regardless of the locale, drawing was an essential tool for artists as a preliminary step in their creative expression. The study of the human figure, a view of nature, or the interior of an architectural space in pen, ink, or chalk provided a method to formulate elements that might be used in a later work of art. In the process, the immediacy of the artist’s hand remains on the page and can be appreciated by the outlines on the paper. This exhibition is curated by Barbara Laux, former Registrar of the museum and generously funded by Cantor Fitzgerald & Co. and Prudential Connecticut Realty.
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